‘Blue Monday’ – the best selling 12″ of all time – was New Order’s peak; a stunning explosion of drum machine beats, infectious hooks and Sumner’s deadpan vocals. It wasn’t just a key song in the C86 tape movement, it was a key moment in Primal Scream’s career. As hip-hop and techno set the cultural pace at the close of the 80s there weren’t too many thrills going on in rock, a wasteland of post-MTV excess. Music in the 1980s was characterized by unhe…, Creative Commons Attribution-ShareAlike License. A pretty nifty way of trying to impress your other half, that. Alongside Moz, Johnny Marr invents the indie jangle and drops metal knives on his Telecaster. The week of May 12, 2021. The song that plays then is this one from Simple Minds. The Triple X-rated nature of this track should not overshadow how absolutely vital it was to the nascent commercial dance scene. Physical. AC/DC’s first album after the death of original singer Bon Scott proved none of that fire had gone out, and the title track was the purest example. It’s a Byrdsian jangle with that essential Madchester swagger and bite from Ian Brown’s lyric, later better known for devolving into cries of “Amateurs!” as The Late Show‘s power blew. The first taster from their ‘Reading, Writing And Arithmetic’ LP is a lovely breeze of jangling indie-pop reminiscent of Johnny Marr’s work with The Smiths, but singer Harriet Wheeler’s remarkable set of pipes – with her ethereal, wistful whisper – ensured they had a sound entirely of their own. Quite a lot, but you get the idea. It didn’t harm the song’s prospects that it was a belting pop tune, a welcome return to form after the sub-par tosh of her Who’s That Girl soundtrack efforts. Flashdance...What a Feeling - Irene Cara. It introduced us to a chap with NHS specs, a superfluous hearing aid and a way with words not heard in British pop since – ooh – Ray Davies? Obviously hip-hop’s evolved, got madder, got badder, got blander since 1988 – but let’s not forget NWA’s impact. When I hear that song I can feel the wind and the climax of … Propelled by war-hammer drums and the bomb-like stomp of him thwacking his guitar, it also has some of the Modfather’s finest lyrics to boot as its righteous damnation of the Government’s nukes-over-society policy cemented his place as one of the UK’s greatest social commentators. The one that got the Mondays on Top Of The Pops is a far cry from the sequenced beats of ‘Pills ‘N’ Thrills And Bellyaches’ that established them as baggy chiefs. “Don’t You (Forget About Me)” is now a symbol of the ‘80s to this day, and it’s a slice of all-time ‘80s nostalgia. Olivia Newton-John- … This brilliant, stately number was written by Elvis Costello as a much needed protest track against the Falklands war. It was a musical tour de force too, combining ska, lovers rock and more into a cyclone of musical genre splicing – another example of The Clash mixing it all up to create something brilliant and new. A goth love song? Mixing a punk sneer with rockabilly aggression, this track strutted into the mainstream, following the blast of ‘Rock The Casbah’ and managing to show what a diverse and eclectic bunch the quartet had grown into. We had New Order and Frankie Goes To Hollywood, U2, Prince and Cyndi Lauper, Springsteen, INXS, Bananarama, Duran Duran and the list goes on. Though, these days, a cape trip is about the height of Madge’s tabloid-baiting power, the queen of the pop controversy used to trade in far more eyebrow-raising fare. I'm looking for a song: "whatever you need I can be boy just call me hear me up in a ranch hoping I'll be next to you next to you ... you're my angel so I keeping your place... you're my angel I wanna be all you need ... you're my angel until you spread your wings...you're my angel...angel...you are the one how took me up time that I was down in my Luck (then I forget … Heavens, is that Morrissey being romantic? Only Neil Tennant could wedge his tongue so far in his cheek to set a rousing defiance of his Catholic upbringing to hi-NRG opera. Browse 62 lyrics and 43 60's 70's 80's 90's Hits albums. But look at that Jesus Christ pose on the sleeve, listen to the talk of “sacrifice” – there was more going on here, and a killer middle eight to boot. Depending on what mood Dave Lee Roth was in, the charismatic vocalist used to tell journalists that ‘Jump’ was either about a man standing on a ledge about to… or a stripper. They create the fluid slink here that allows Jones to prowl around, generally intimidating everyone with dirty car-pun come-ons. Hall & Oates – You Make My Dreams Come True. The decade began with a backlash against disco music in the United States, and a movement away from the orchestral arrangements that had characterized much…, The 1980s was the decade spanning from 1 January 1980 to 31 December 1989. https://www.youtube.com/watch?v=I1wg1DNHbNU. – but it’s hard to glean such subtleties when you’re being battered with a heavy metal sledgehammer. 29 My Two Dads (1987-1990) Between the 1986 vaudeville funk of ‘Parade’ and the following year’s state of the cosmos address, Prince had ditched The Revolution – in name at least – and set about taking full credit for his new clear-eyed vision. The people of Britain were “getting angry”, and this was mirrored in the song’s haunting production and sense of dislocation. It would be Dead Or Alive’s only real hit, but the influence of the disco/pop hybrid would cast a shadow over the late 80s charts in the form of S/A/W’s work with Jason/Kylie/Rick Astley etc. 28 '80s Songs That Will ALWAYS Make You Happy. Some user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. Here, they struck gold with this searching, rap-pop gem which sampled ‘Multiplication Rock’. Show me, Show me You really love me. The switch works, as does the mesh of guitars, ringing and scratching, manic as Francis’s delivery. Poised between staying or leaving both The Clash and girlfriend Ellen Foley, Mick Jones’s lyrics were appropriately propulsive. A worthy first UK Number One for Messr Weller, ‘Going Underground’ will forever be one of The Jam’s finest cuts. Music in the 1980s was characterized by unheard of electronic sounds accomplished through the use of synthesizers and keyboards, along with drum machines. Supposedly written by frontman Mike Scott on the back of an envelope to show-off to his girlfriend, ‘The Whole Of The Moon’ is undoubtedly The Waterboys’ definitive track – a moon-soaked ditty that’s full of dreamy, wide-eyed wonder. None of that quiet-loud stuff here – ‘Debaser’ is full throttle throughout, celebrating Black Francis’s new favourite thing, Luis Buñuel and Salvador Dali’s surrealist, eyeball-slicing movie Un Chien Andalou. It eerily prefigured the future. Every Breath You Take - The Police. The Smiths’ second single succeeded where ‘Hand In Glove’ had failed, piercing the Top 30 and getting a bunch of gladioli on Top Of The Pops. Everyone saw sense soon enough and this pumping, hollering groove topped charts all over the globe. While chart performance, radio airplay, and longevity are all important criteria to help build a list of the best of the best, these essential '80s songs announce … It strikes a note of regret, a sense this is the best it’s going to get, but – artistically at least – the truth was far from it. Inspired by his ex-girlfriend, this is a ramshackle mixture of sweetness and snarkiness – for all its honeyed harmonies, there’s enough bite to Cobain’s lyrics to suggest it’s not just a simpering, doe-eyed declaration of love. A smash No.90 hit, ‘Made Of Stone’ nevertheless brought the Roses to wider attention, making some waves on the indie chart and encouraging the kids to check out the album that would become their all-time favourite. Nirvana became one of the biggest bands on the planet in the 90s, but Kurt Cobain was already proving himself as a master craftsmen before that. A Number one in 17 countries, Marc Almond and Dave Ball stepped out the British avant-garde synthpop scene to produce something that was a pure pop statement of intent. It shifted a million copies here to become 1982’s biggest selling single, then dosey doed over to America the next year to repeat the feat. The musicians on the list combined cultural clout with musical talent, image and good timing to shape all things that have come to be described with the adjective "eighties." Some think it’s about him and Johnny Marr, pals forever as they fall under a 10-ton truck, but it’s probably just a fantasy unfurling around the soaring strings. ‘Two Tribes’ was the follow-up to the censor-baiting ‘Relax’, but it was a monster hit in its own right – even though it didn’t induce the same foaming-mouth fury as its predecessor, it still topped the UK charts for nine weeks. Whatever the message, it was a big chart breakthrough. A shiny bauble of pure pop goodness from the fab four. Lindsey Buckingham’s typically progressive production covered the song in a glossy 80s sheen, and would lead to another massive hit for the band from their monolithic ‘Tango In The Night’ album. Robert Smith aims solely at the heartstrings with a gorgeous, gilt-edged guitar line and some of his most unabashedly starry-eyed and soppy lyrics to date. A slinky, sexy R&B number that pissed a load of people off when they bought Soul II Soul’s debut LP ‘Club Classics Vol. after a messy break up, this was a soft rock anthem which remained atop of the UK singles charts for weeks and weeks. We could talk about Axl’s screeching vocal, of course, but there’s only one real reason why ‘Sweet Child O’ Mine’ is beloved of so many air-guitar aficionados, and that’s Slash – both with the lurching arpeggios of his intro and the subsequent face-melting, wah-wah-wanking solo that’s amongst the best fretwork of all time. With Bobby Gillespie gone, they’d switched to crisp drum machine beats and ‘April Skies’ was almost conventional in structure. and Aerosmith broke down that wall in the ‘Walk This Way’ video, busting taboos and blurring the line between rap and rock. 1,255,427 listeners, The Cure Obviously. https://www.youtube.com/watch?v=2ChjLMbXVrU. Add to that synthesized horns that actually work and a melody that’s bottled melancholy, and it’s another regal single from Tennant and Lowe. The length and order could be debatable, but there's no doubt a core list of the most essential '80s artists serves as a fine place to start any exploration of the decade's pop and rock music. Like nothing else in the Smiths cannon, it paired Morrissey’s most painfully personal lyric (“I am human and I need to be loved just like everybody else does”) with Marr’s most musically inventive soundscape (he later cited obscure disco songs as influences). But he didn’t like the sound of “Andalou” so switched it to “Andalusia”. Show me, Show me You really need me. The group released their first album, Show Me, in late 1986. Its air of mystery slotted handily into the film, but Ian McCulloch knew he had a belter on his hands from the moment he woke up one morning with the chorus already in his head. Five singles were released from this album, including the Top 40 Billboard Hot 100 hits "Because of You" [2] and "Promise Me". Eye of the Tiger - Survivor. It opened new vistas for the band, making them the stars they always knew they were. Public Enemy’s first UK top 20 hit (they never had one of them at home) is as naggingly catchy as any hip-hop smash had to be back in 1988, a relentless squirt of whistles and looped beats absolutely peppered with quotable rhymes and Flavor Flav madness. In order to have the best experience, please upgrade to a more modern browser. Featuring a fistful of samples, this pivotal rap tune would be the foundation of a number of soul numbers including tracks from Soul II Soul and Enigma. by 80's Pop Band on album Éxitos de los 80's Vol. Here the punk poet tackled Vietnam, immigration and gentrification. “To die by your side/ Well, the pleasure, the privilege is mine” bears the hallmarks of classic Moz – overdoing it a bit, laying on the language – but there’s an unmistakable poignancy here. Ex and future Eagle Henley has lost his lover and his direction, but hey – there’s still a lot of cash to be made. 21. Thank sweet Jesus for preacherman Nick Cave, a man with fire in his belly, poetry in his soul and righteous ire fuelling this almost unbearable last-gasp from a doomed man waiting to fry in that “mercy seat“. Curtis’ lyrics read like a suicide note (“There’s a taste in my mouth as desperation takes hold,”) but there’s something weirdly uplifting about the way the song hurtles towards that final chorus. Dexy’s Midnight Runners – Come On Eileen. 23. Yet with 1987’s ‘Music For The Masses’, Depeche Mode were in a rich vein of form, and ‘Never Let Me Down Again’ is one of their very finest: an ink-blotted masterpiece, from the gloomy synths right down to Dave Gahan’s molasses-rich vocal. What next? Internet Explorer is no longer supported on Last.fm. Penned from the perspective of ship workers in Britain at the time of the 1982 war, it was a bold message of non-compliance. Can you imagine Christmas without it? https://www.youtube.com/watch?v=YnxDRJzaXmc. ‘Love Action’ boasts at least three warring synth riffs – from Ian Burden, Philip Adrian Wright and Jo Callis feeding his guitar through a Roland 700 – each of which could fuel a Top 3 hit by itself. https://www.youtube.com/watch?v=1YrXY4isgLs. Us. 17. The '80s were a time of new wave, dance music and glam metal — with the oversized hair to boot. Long before it was given a second life by The Sopranos and a third by Glee, '80s kids were reminding each other to "hold on to that feeeeeling." There were still good records to be made but this straddles the eras, anthemic but nasty with enough of a whiff of the underground to keep the early adopters on board. One of the greatest songs from one of the greatest albums (‘Daydream Nation’) by one of alternative music’s greatest bands, ‘Teen Age Riot’ is essentially one awesome track split in two: a woozy, otherworldly intro featuring Kim Gordon’s ghostly spoken-word poetry, and then a belting, high-octane guitar riff that ushers in Thurston Moore’s yelped vocal. This is a list of Billboard magazine's Top Hot 100 songs of 1980.. No. 683,690 listeners, Guns N' Roses It floats like a butterfly, hovers like a ghost and really narked Guthrie off because it got so much more radio play than any Cocteaus track. 7. Yeah, that important. Throw in Dre’s frightening production and ‘Straight Outta Compton’ was a threat people took seriously. If only all debut singles were as self-assured as The Sundays’ inaugural bow. Let’s just forget that it was unforgivably plundered by Vanilla Ice at the turn of the 90s. Away from the titanic egos, though, John Deacon proffered one of pop music’s most iconic basslines (though there’s some controversy over whether he wrote it, or Bowie did). This tag consists of music first released in this time frame. A song about the colonization of Native Americans in the New World could have been as dreary and sanctimonious as fuck, but Iron Maiden spit in the face of anyone who dare call them preachy. In fairness, it’s not hard to understand their gripe – as soulful as Caron Wheeler’s vocal was, it’s the steely, condensed-breath production of Jazzie B and Nellee Hooper that’s its real calling-card. Seriously, that's a big part of it ("Don't stop…" clap, clap… "believin'"). 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